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Voiceover
Demos & Training
Need to add to your existing demo?
Need to make your first demo?
Need voiceover training?
You Need
Ty Ford
NEW!!!
I
am now doing webinars for people who can't get here.
You
need a computer, a microphone and webcam and
iChat
with a .Mac account, Skype
or AIM.
What do I need?
There are different types
of
demo; commercial, narration, documentary, political, character, real
people and talking book. None should be longer than three minutes long.
You should also have :60 edited
mp3 versions of each demo that are created small enough to email and
put
on a website. Most people start with two,
commercial
and narration.
Where does the audio
come
from?
Normally, we choose parts from all of your
existing
reel-to-reel, DAT or CD masters, sometimes from VHS videotape or DVDs.
If you have material on cassette,
we suggest you re-record the sections of the material you need for the
demo.
What if I don't have any
masters?
Then we start from scratch. That means getting
copy
together and recording here at my studio. I suggest bringing eight
pieces
of copy for each type of demo. With eight, we can decide which ones
work
best for your voice and style.
What kind of copy?
For commercials: Price and product retail, hard
sell, straight pitch, warm and fuzzy, mom, dad, young guy or gal, older
guy or gal.
For narrations: Training, medical, technical,
marketing,
For documentary: Think Discovery, PBS, History
Channel.
For political: warm and fuzzy, prideful,
patriotic,
fear, secrecy, contained outrage, disappointment.
For characters: You got 'em? We'll decide.
For real people: A difficult style to carry off
well. Usually because the copy isn't what real people would say anyway.
We'll
decide as we go.
Where can I get copy
From taping radio and TV while you're watching
and
listening. From magazines and books. I have some here, but the time and
energy
you invest in your own search is invaluable in teaching you about the
process.
How do I know if the
copy
is right for me?
I'll help you with that here. I know every
mistake you make from the inside out because I've already made them and
have
figured out why and what to do about them. That's why you're coming
to me and not someone else.
How long will it take?
That depends on your level of experience and how
much pre-recorded audio you bring in. At a minimum, it takes about 2-3
hours to
sort though masters, edit the parts you want, put them in the right
order,
smooth the transitions, make new masters and burn new CDs.
If you need to record new voice tracks, we
also
need to choose new music beds and mix each of those sections. Then we
assemble the parts, making little editing and mixing adjustments.
One of my more recent students took 20 hours
of
training before he was "studio ready." That's very important. Anyone
can
slap a demo together, making you sound OK, ten seconds at a time. It
may
take ten minutes to get that four sentence paragraph, but do that
enough
times and you have your demo. The PROBLEM comes when and if
you
get hired. You can't spend ten minutes on a four sentence paragraph and
expect
to be hired again.
My training prepares you so that you
get the first job, do it well and get asked back. It's the only way you
can make a living.
Bottom line, how much
will
this cost?
If you come in extremely well prepared with
pre-recorded material and know exactly what you want, (and few do)
maybe $200-$250. More
typically, the bill ranges from $350 to as high as $1200. The average
is
about $600. That's for a narration and commercial demo.
Wow! $350-$1200 is a big
range. $1200 is a lot of money!
Yes it is. Four narration gigs or five local
radio
spots and you've paid for it.
So you train as well as
produce demos? How does that work?
I'm a member of the Washington-Baltimore
AFTRA/SAG
Conservatory. I give narration seminars throughout the year to our
members.
These sessions are usually with six members and last about 2-3 hours.
Check
with the AFTRA/SAG office in DC to get registered. 301.657.2560.
I also do one-on-one training with members and
folks
who hope to get good enough to become members. Normally these sessions
are 1-2 hours long. We start recording on the first session. It's you
and me in
the studio working on copy, delivery and interpretation. Depending on
your
level of experience, this can take some time. I charge $65 per hour
with
cash, check or PayPal due at the end of each session.
You mean I can't just
learn
how to do it in one session and do the demo?
No. It's a learning process, like learning to
sing or play an instrument. You can't get better as a performer until
you can improve your ability as a listener. They work hand
in hand. The proof of this sometimes confusing concept is that no
experienced
performer will let you listen to their very first demo because,
although
it was the best work they could do at the time, their experience has
allowed
them to hear problems they couldn't hear at first. It's not uncommon to
redo
your demo every year or so for at least the first 5-10 years. Usually
you're
adding new examples of work you've done.
Is there any way to save
a
few bucks?
Yes. Some folks with little or no experience
start
with one demo that combines commercials and narration. It's usually
about
three minutes long. As they get work, and experience, they collect the
material they need to make separate commercial and narration demos.
What do I get when I'm
done?
You leave with a master CD which can be
replicated
and any CD replication facility. I can refer you to the folks who do
mine. I keep a master here just in case you lose yours or it gets
destroyed. If
you want mp3 files, we can do that too. I can also put up to three
minutes of video and scanned in headshots and a pdf file of your resume
on the CD.
How many CDs should I
order?
As many as you can afford. There's usually a
price
break at 500 and at 1000. Make sure you also get a nice artwork made
for
the liner and label. You only get one chance to make a first impression.
Why should I choose you?
I've been making recording,
editing and producing commercials and narrations audio for over 20
years. I've been
a professional voice talent for over 20 years. Each style of voice work
has
it's own special requirements. I know them all because I do them. I've
been
training voice talent for since 1990. I'm a member of the AFTRA/SAG
Conservatory.
I give seminars in V/O work. I've been doing this a while and I'm still
here
because I do the right thing, which for some is to discourage them from
going
after something I don't think they have in them.
Could that be me?
There is no way to tell.
The
learning curve is different with everyone. Some folks have natural
abilities
that give them a head start. Others learn more slowly, but pass others
once they learn the basics. It takes a lot of practice. If you don't
have at least fifteen minutes a day to work on the basics, don't even
bother trying. You don't just
"get it" and move on. This is something you have to work on over a long
period
of time. The journey is more important than the destination, because
you
never really reach the destination.
I am ready to start.
Where
are you? How do I make an appointment?
I'm in the Towson area, just inside the Baltimore
Beltway. Call me at 410.296.2868.
I'm
too far away. Can we do it by phone?
No, I have to see you.
I am now doing webinars for people who can't get here. To do that you
need a computer, a microphone and webcam with a fairly fast connection
and iChat
with a .Mac account, Skype
or AIM.
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