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:: HAL SPARKS INTERVIEW ::

BY JESSICA DWYER
07/24/05
To most people Hal Sparks is that guy on that spicy little
meatball of a show called Queer as Folk that's on Showtime (the
final episodes are airing now). Or to others he's the really, really funny guy on I
love the 80's (or 70's or 90's) on VH1 who does one mean Wookie
impression. Or you might remember him as the host of E!'s
TalkSoup.
But Hal Sparks is a lot more
than the sum of those highly unique parts.
Hal's a musician
and a damn good one. He's got an album coming out this year
with his band Zero 1. Thanks to his love of Kiss and metal
they've got a sound that harkens back to days of Winger, Ratt, and
Cinderella but with a fresh current edge. In this time of
bands that sound like they've been cloned from the same gene pool
it's a welcome burst of wailing air.
But that's not all this
native of Kentucky has up his sleeve. He's been doing martial
arts since he was a teenager. Not only can he kick your ass
when it comes to pop culture, but he can simply kick your ass.
He can work a spear, bow staff AND a sword. But he's such a
nice guy he probably wouldn't harm a hair on your head. Unless
you bad mouth Paul Stanley, then I can't be responsible for what he
does to you. And if you are bad mouthing The Starchild, then
you probably do need your ass kicked, and I would cheer him on.
But I digress...
Hal Sparks is one of the most
interesting and opinionated guys in Hollywood. He's also one
of the most enjoyable to talk to. I was lucky enough to get
some time to talk with Hal and we covered topics ranging from
racism, religion, video games, music, and shaving Natalie Portman's
head (he's a Fanboy, of course he loves Amidala.)
*photos courtesy of
www.halsparks.com and
www.sparksfan.com
FG: Hi Hal, thank you for taking the time to
talk to me today.
HS: No worries.
FG: Just so you know I’m audio taping this so
I can transcribe it later.
HS: I think that’s wise. I tend to talk fast.
FG: I tend to slur when I get excited so.
HS: Great, well you know what I told. Don’t
drink and interview I’ve told you a hundred times.
FG: Yeah, I know but the vodka is so damn
good.
FG: Well let’s get started and I’m going to do
this right by asking you first: what question are you most tired of
being asked?
HS: Hmm…are you gay?
FG: Somehow I knew you were going to say that.
HS: That and uhm…that would be the big one.
Everything else I’m pretty good with.
FG: I can see where that would get tiring.
HS: That and uhm…which do you prefer, the
empirical or the existential, and explain your answer. That’s
always a pain when I’m in a hurry.
FG: Yeah I can see that that would be up there
on the list too.
FG: So this is the last season for Queer as
Folk, which is sad. How are you dealing with that and are you going
to miss being Michael?
HS: I would say about missing it…it’s kinda
like one of things like graduating college. You’ve been doing it
awhile. Your parents are aware of the final aspect of it, the
diploma. But you’ve been in it the entire time and you’re looking
forward to moving on to other things. Uhm, and I don’t think I’ll
miss playing Michael at all. I’ll miss some of the people I got to
work with, not seeing them on a regular basis. But playing Michael
was a hard job. It was a tall order.
FG: Yeah it was. You did a great job at it.
So what do you have up and coming, what can we expect from you? I
know you’ve got the record coming out.
HS: Yeah. And I’m on tour doing stand up so
I’m working on an hour special of that. We’re looking to have that
out in November. It’ll be on DVD. And I’m working on a
Chinese/American co-production feature film that I’ll be doing in
China that I’m very excited about.
FG: That’s great! I was wondering if you were
ever going to do anything like that…I loved your reel on your
website.
HS: Oh thanks.

Jean-Claude VanDamme eat your heart out
FG: I was actually going to e-mail you and ask
if you liked Evanescence and then I saw that and was like…I guess he
does.
HS: That is so funny. I just loved the
juxtaposition of soft an hard that’s in that particular song.
FG: Oh god it was beautiful.
HS: It worked really well with that piece.
FG: She’s very spiritual, Amy Lee, with her
music.
HS: They consider themselves Christian I
think.
FG: Well I think, they are trying to break
away from that label. It’s hard though with songs like Tourniquet.
But they are so good. It’s like if Sarah McLachlan and Linkin Park
had a baby.
HS: True that. Only good. Linkin Park had a
really great first album. And they just became mechanical after
that.
FG: Well they just kept doing remixes, over
and over again.
HS: Even their newer songs, I felt like the
analogies on the first album, like “crawling in my skin” great way
of putting it. It’s a poetic way of saying how you feel. And then
to write “I’ve become so numb” you know what I mean.
FG: It’s like you’re rehashing the same stuff.
HS: Yeah I mean who hasn’t said that and what
does it mean?
FG: It’s like you’re trying to be this…their
trying too hard to be
HS: what they were.
FG: Yeah.
HS: Or be outsiders or something.
FG: Yeah, exactly.
HS: You know what my big pet peeve is with
some musicians when they write the “I’m really famous now and it’s
really hard” song.
FG: (laugh)
HS: You know what I mean?
FG: Yeah exactly.
HS: There is a lot of that going on. Even
like “Blurry” by Puddle of Mud. It was on their first album.
(singing) Everything’s so blurry..” It’s like okay, calm down dude.
FG: It’s the Eddie Vetter syndrome.
HS: Yeah, or George Michael when he went
through that “I want to alone” phase.
FG: But look at me!
HS: Right exactly. Well stop wearing silver
when you go outside.
FG: Yeah the gold lame’ kinda attracts the
eye. If you don’t want to be noticed, kinda go away from that
style.
HS: Yeah…might want to rethink that.
FG: Well another question I had for you is, I
know you’re from Kentucky.
HS: Right.
FG: Well I’m from Southeast Missouri/Southern
Illinois…so kinda near there. Growing up I’ve had to in the past
deal with prejudice and right now in my life I’m dealing with it
with my family. Did you see any of that growing up and after Queer
as Folk did you have to deal with any of that or possibly any of
your family have to deal with any of that?
HS: Any? (laugh)
HS: Where do we start? I’m part Indian and
when Cher’s “Half-Breed” came out I was like 6 years old and would
get my ass kicked every week.
FG: Oh lord, that’s ridiculous.
HS: One of my best friends growing up was gay.
And was never able to come out to his family, even now. His father
is one of the most racist people I’ve ever met personally.
FG: His father?
HS: Yeah, my gay friend. And he works for the
state.
FG: That doesn’t surprise me.
HS: No. You know you have to understand these
places breed in thinking. I have 10 minutes of stand up on the
small town lie. You know the idea that small towns are more real.
Which is not even true.
FG: They are real. But it’s not the pretty
real that you think.
HS: Well and it’s artificial. You know I
always remember, like these aging beer chicks. They’re freckle
faced and overweight now. And in the old days they would sauce it
up quite a bit. And they would always do this southern belle act.
The funniest thing would be when they were going (southern drawl
inserted here) “I don’t know how you could be moving Los Angeles,
everyone out there is so fake.” And with this great glazed look on
their face.
FG: Oh I know. Currently I’m married to a guy
I met over the internet. And he’s half black. My mother and father
did not know that. I was kicked out of my house and to this day my
mom and dad have pretty much disowned me.
HS: Wow.
FG: Yeah but I stuck by my guns.
HS: Here’s the thing too. And I think people
realize this more and more, and it certainly helps there are like 9
billion people in the world now. But seldom are people born into
their families. You know, whoever biologically went through the
motions of bringing you here, aren’t necessarily the people you
should be hanging around with.
FG: Exactly right.
HS: You know there is something to having
relatives who aren’t that. Because it puts you on the road to the
people who you should be around, people you can build a progressive
future with. Everybody I know who’s kind of a momma poppa boy type,
you know they have a really close knit family haven’t really
accomplished that much in their life. And I mean that not just in a
business sense but in an emotional and psychological sense as well.
FG: Right. In my family, thanks to my mother,
my grandfather died before I really got to see him in like 5 years.
I mean I walked into the room and he was dead. And they kept
telling me that he doesn’t want to see you, he doesn’t want to talk
to you, he’s sickened by you or whatever. And it was so not true.
It’s a sad thing. People keep saying we are so progressive in
America and we’ve come a long way, but there are still places like
that.
HS: Well it’s certainly not 1968 or 1952. And
we’ve come a long way. I did a thing today were I broke ground on a
gay and lesbian elder housing development in LA, low cost housing
for gay and lesbian, bi-sexual and transgender people in Hollywood,
in the LA area. Even 7 years ago that would have been a ridiculous
notion. And 30 years ago it would have been burned down in an
afternoon. It’s heartening to know that number one, the steady
march towards progress, sort of the liberal progressive ideal, is
unstoppable.
FG: We actually have, believe it or not,
Oregon where I’m at now. I have a thing on the website where this
senator…they are trying to pass a bill here to give nearly equal
rights to same sex couples who are married as straight couples
have. He said “what’s next, equal rights for pedophiles?”
HS: Well you’ve got understand, how old is
this dude and his ideals? At the same time you can’t be shocked by
that. There’s a reason why this life and this living is cutting
edge. Is because it’s been a certain way for a really long time,
and enacting any kind of change on this level is gonna be hard.
It’s going to be ice skating up hill. But you do make it
eventually. And the same people who said that kind of stuff, said
the same thing about white people marrying and being with black
people. And had they been right your husband would have never been
born.
FG: Exactly.
HS: Because he’s a mix. And you know how
great he is, cause he’s yours.
FG: That’s right.
HS: And the notion that his parents wouldn’t
have been able to be together and make him is noxious, it’s
retarded. However at that time those people were so entrenched in
that idea it’s just couldn’t be otherwise. And if you brought it up
they equated whites marrying blacks to whites marrying animals.
It’s the same thing to them. You have to understand that’s what
his mindset is and if you are going to try and move forward in
anyway there are people who are going to try and stop you. And they
will be as extreme as they possibly can be.
FG: Oh yeah.
HS: It’s true, I’ve found this to be true in
any area where you try to be extraordinary. If you want to stand up
and be a community leader, if you want to try and start a recycling
program in your area, anything out of the norm and try to move
anything forward a little bit. The first primary reaction will be
quite negative for most people. And there will be really hard
liners who don’t see its value at all. Those people will really try
to make it difficult for you. But you know isn’t that part of the
game? Isn’t that part of what makes life challenging? I’ll be glad
when all of that falls away, but when it does we’ll meet a new
challenge too.
FG: Anything worth fighting for is going to be
hard. But it’s great that there is people out there like Basic
Rights of Oregon and what you’ve done yourself that’s just a great
thing.
HS: Well yeah, and I don’t know how else to
be. I certainly wouldn’t wanna. But had I not kind of been
sickened by the racism that I grew up around, I might not of had the
chutzpah when the time came to really face what was going on.
FG: Well let’s go on to something lighter
(laugh)
HS: Yeah that’s fine. Oh believe me I can
just gob on about almost anything, much to the shegren of my
friends.
FG: (laugh) Pretty much same here.
FG: The gamer network has become a second home
to you.
HS: Yes.
FG: I love it because it’s a great network and
I’m an addict too. What are you addicted to now and have you gotten
your hands on a PSP yet?
HS: I haven’t and I’m trying to avoid it
because I know it will take up SO much of my time.
FG: It’s so cool.
HS: Yeah I’ve heard. I was going to take the
train down to ComiCon tomorrow and I was thinking maybe I should
just buy one to have on the train.
FG: Then you won’t look up when anybody is
talking to you.
HS: Yeah exactly. I play games like a
generation afterward. I buy used games to save myself some money,
which is like the only area where I’m frugal. It’s totally stupid.
Someone will give me a game for free and I’ll start playing it like
crazy. I just got True Crimes Streets of LA from a friend.
FG: Oh that’s a really fun one.
HS: I just finished Resident Evil 4. That was
really fun, and really nerve wracking There were a couple of times
that really just spooked me. Like a good horror film will.
FG: That’s a really good game for that. Like
those tongue things in the original one just scared the crap out of
me.
HS: Oh yeah! And it’s so irritating the brain
things, and like the tentacles come out of their brain and smack you
around. And it’s like “Hey! The hell?! I just shot you with a
shotgun at point blank range and your just staggering back? What’s
that about?”
FG: Well Extreme Dodgeball that looks awesome.
HS: Oh yeah, it’s fun!
FG: What kind of psychotic sadist created that
game?
HS: I think it was a gym teacher that when
they passed the law that you couldn’t hit kids anymore thought “Well
I’ll let the little bastards hit themselves! Here, it’s a game!”
FG: I was going to say is this some kind of
payback for a childhood scarred by dodgeball?
HS: For me? No it was just like “what a fun
way to spend an afternoon.” And they were paying like, I was
playing for a charity so I was like yeah.
FG: It looks awesome.
HS: It was pretty fun. I was pretty goofy.
It was hard, the more you take it seriously…you get serious really
fast playing that game.
FG: Yeah cause you get hurt.
HS: Yeah. I got beamed in the face really
hard during one game. But I guess the main thing was. The other
players on my team, I was playing for charity, but they get paid per
win.
FG: Oh really?
HS: Yeah, and I didn’t find that out till like
half way through. So I’m having a good time right, and then oh wait
a minute, their rent might depend on this. OOOPS.
FG: Yeah, that’s a good thing to tell the
captain.
HS: Yeah, that would be a nice thing. So once
I found that out, I was like…oh man I gotta knuckle down.

KISS
ARMY FOREVER!!!
FG: Well, Paul Stanley is a god.
HS: Yes it’s true.
FG: I just want to get that straight right
now. Have you seen or heard any of his performance in Phantom of
the Opera, or as I call it Kiss meets the Phantom of the Opera?
HS: (laugh) Right…I downloaded some bootlegs
of the audio.
FG: yeah I got a couple of those too.
HS: You gotta understand, I hate musicals but
I love Paul so much I listened to it.
FG: I thought he was good.
HS: I’m sure the dudes got pipes and he can
certainly sell the emotion of a song. I never had a question about
that, anymore than I questioned Sebastian Bach’s ability to do
Jekyll and Hyde.
FG: Oh yeah I wanted to see that too.
HS: Paul taught me everything I know about
dealing with fans.
FG: Oh really?
HS: He’s been so cool, not only with fan
access but respect. He recognizes, more than most, that the fans
are the boss. Record execs, TV execs, producers, directors, those
people like to think they are the boss, but they are really middle
men. The boss is the person who writes the check and the person who
writes the check in the entertainment industry is the fans.
FG: That’s great, and he does. So what do you
consider the best KISS concert you’ve ever seen and can you remember
the opening acts?
HS: Wow…that’s a tough one. I’ve been to so
many good ones. Animalize tour, it was actually the Asylum tour.
That was really an offshoot of the Animalize tour.
FG: Those two were pretty close together.
HS: Slaughter opened for them, which was
pretty funny.
FG: They opened on Hot in the Shade too.
HS: Yeah that’s true. Who opened for them on
the Asylum tour…I’ve seen every tour since 1980 so.
FG: I saw two of the Hot in the Shade and
Winger opened for them. And Vixen.
HS: I haven’t seen them with Vixen but I’m a
big Winger fan.
FG: I am too. I’ve got an acoustic version of
Miles Away.
HS: Oh wow. Wanna know something cool? Doug
Pinnick who is producing my record? He’s the bass player for King’s
X.
FG: Oh really?
HS: Yeah, he’s working on or just finishing a
project of 80’s style metal where he’s singing with Kip Winger and
Reb Beach.
FG: Oh that sounds awesome.
HS: Yeah I’m very excited.
FG: They really don’t give Winger enough props
man, they’re really good.
HS: Yeah for real. I mean that’s hard core
well done pop metal, period. His big thing was, I guess his wife
passed away and it really wrecked him. I don’t know the whole story
behind it, but it happened kind of suddenly. And he started putting
out acoustic albums and he was really messed up.
FG: Oh god, that’s awful.
HS: Kinda like what happened to Gene Wilder,
who’s brilliant you know. Immeasurably brilliant, and then Gilda
died and he just kind of retreats.
FG: Yeah, he looked real rough the last time I
saw him in an interview.
HS: Yeah I mean he’s been through it.
FG: Yeah but it still hurts you know. This is
someone you grew up with.
HS: You just want to give the dude a hug.
FG: Well if you want I can e-mail you the MP3
of that song, it’s really beautiful, just him and a guitar.
HS: Yeah! Please do I would love to hear
that.
FG: Well, did you ever nearly lose a limb
trying for a pick? I did.
HS: Yeah. Uhm I saw Kiss on their club tour
at the Troubadour. Round the Carnival of Souls album. And I caught
an Eric Singer drum stick.
FG: Oh god, I bet you got mobbed didn’t you?
HS: Yeah, and it was this big wrestling
match. And it boiled down to me and this big fat dude who had his
arms all the way around me. He had hold of the top and bottom of the
stick and I had the middle of it. All I could do was my arms were
longer than his, so I pushed straight forward and he lost his grip.
I fell straight to the floor and shoved it down my pants. I still
have it.
FG: (laugh) That’s awesome. That’s a fan.
HS: yeah, and there are times like now. If I
want something I can probably go talk to them about getting
something from them. That’s nice about being famousish, especially
since now people know I’m such a huge metal fan, they see me at
these on VH1. And I’m the dude that knows the words to their
songs. When they bring up Skid Row, I know the tunes. When they
bring up Cinderella I know the tunes. And I’m not just knowing them
because they played a clip and now I know the song. It’s real clear
that I’ve sung them in my car a hundred times. So when I run into
these guys on the road uhm, they’re really pretty cool about it.
I’m wearing a Cinderella shirt right now as a matter of fact.
Anyways I was a the House of Blues recently and
I saw Black Label Society and Zach walked off stage and he threw his
guitar at the sound guy, and he picked up another one and it looked
like he was going to start playing again and he threw it to the
crowd. There was this huge fight for it. First of all, no one is
leaving there with that guitar. Well, security moved in instantly
and took it away. You’re not going to leave with that thing. Once
they stopped wrestling for it they came in and just took it from
them.
FG: Somebody probably lost a finger for that.
HS: Yeah, but in that type of situation, if it
was the audience at OZZFEST, it’s like dude…keep it. You can just
rivet it to a wall over your bed that is used by nobody else by
yourself, knock yourself out.

Rocking
the house with Zero 1
FG: Your band mate Robert Hall, directed
Lightning Bug and he worked on Buffy and Angel. I know he did the
make up for you on Talk Soup. What brought you guys together as
friends.
HS: Well you are in the makeup chair for quite
a while. I would get in at like 5 am to tape at 9. So we would
have a lot of time to talk. He’s a huge KISS fan. He’s got this
tattoo on his right arm that’s a skull with all of the different
KISS eyes on it.
FG: Oh that’s cool.
HS: Yeah, it’s really neat. Uhm and we would
just talk about KISS songs and what big fans we were. And that was
just instantly like, we’re brothers. And you know how you meet
someone, and there’s just a vibe you know, like this is a really
great person? And they’d be cool to hang around.
FG: That’s really cool. Have you ever had him
do something crazy to you for Halloween?
HS: Well, he gave me a vampire brow and red
eyes one year. And then last year he helped me tattoo my arm and
made me all bagged out looking with dark circles under my eyes cause
I went as heroin chic.
FG: That sounds great. Now do you think
Lightning Bug was semi-autobiographical for him? It sounds really
amazing, I can’t wait to see it.
HS: It’s got some heavy stuff in it. And you
can tell that he and I had the same experience of growing up in the
South. They paint this picture of this is the simple life, where
the spirit craves complexity. And if it doesn’t get it from its
surroundings it will make it up, and not in a nice way.
FG: Man, that is pretty deep.
HS: Yeah, pretty heavy.
FG: I saw an interview where you spoke about
going to the Forbidden City and how you didn’t get lost. And it
felt like you’d been there before. Do you think reincarnation is a
possibility and have you done any other research into that or any
other forms of mysticism?
HS: To me it just boils down to your
philosophical idea of absolutes. If you believe we are impermanent,
meaning you believe there is a spirit beyond the physical body then
that impermanent attaches to anything else that is impermanent.
Which means it has to be beyond time as well. And beyond physical
matter. So if you are impermanent then you are just that. You are
beyond space and time. So if you are, what’s to stop you from
coming back again and again? And what is this place? If it’s a
place where you come to experience and learn things is it a school?
A larvae school for growing spirits? And if so what grade is it?
Is it 12th grade? Is it time to graduate from this
planet or is it 3rd grade?
I happen to think its 3rd grade
because I haven’t been that impressed. I like video games as an
analogy for what life is and for reincarnation. Because in video
game you can come back as many times as you want. The idea for
coming back as many times as you want is very attractive right away,
until you realize it has to mean something. You can’t come back all
the time just for nothing. Same for a video game, you can come back
over and over again and it gets easier each time and more boring.
It’s not until you face the big bosses at the end of each level and
finish each level that you start to grow any kind of skill.
FG: That’s a pretty good way of looking at it.
HS: Yeah so each life time is like the next
level of a vide game. In the middle of it you might die several
times, but you come back and hit again in different forms, different
shapes, and giving yourself different attributes, each time trying
to improve yourself. The idea I think of living is to become more
loving, to become closer to the expansive energies of love and hope
and those kind of things and to avoid the contractive energies of
hate and jealousy and anger and greed. That kind of thing.
FG: And that’s how it should be. I totally
agree.
HS: And believe me, I don’t think there’s a
hell. I don’t think you go to hell for doing bad things. I don’t
think you evolve. You evolve or you devolve or you stagnate. And
if you evolve you get to be a bigger and bigger kind of spirit.
That at a certain point you move on from having to be here at all.
And then you become one of these avatars that turns to all of us and
says “It’s just a game you know.” It is not the biggest thing. And
then they allow themselves to be killed, and we’re all let off the
hook for our fear of death. They split and go off to work some
place else. I mean I don’t think Jesus is coming back, he’s got
work to do someplace else.
FG: That is a very cool way of looking at it.
HS: Thanks. And being more of a fan of
Buddhist philosophy where we all can become the Buddha. Not just
some guy who magically became the guy.
FG: Right, he learned.
HS: Right, he learned and we can all learn.
It’s just a path to openness and goodness. And I think that modern,
our modern religion, and by modern I mean 2000 years. I don’t mean
the ancient ones like Buddhism, Paganism, Taoism, or Wicca or Native
American. I mean in the last 2000 years sort of modern western
theocracy is the equivalent of 18th century technology.
It functioned at one point, but it doesn’t work anymore.
And when you try to relate the template of the
cotton gin over the Intel processor, you know, or the PSP and you
try to force them to work that way. It’s like trying to use your
Nintendo as a butter churn. It doesn’t help you at all. I’m sure
you could hammer nails with a computer.
FG: But it won’t do any good.
HS: Right exactly. And that’s kinda what we do
with our brains these days. Instead of opening ourselves up to more
expansive reasoning and thought, people try to constrict themselves
with 3 or 4 highways of thought. And try to vary as little as
possible, so they can, I love this quote, “so they can tip toe
through life and arrive at death safely.”
FG: And that’s not living.
HS: Then you don’t learn your lesson and you
have to come back again and go through it again. Because you didn’t
expand your energy and you didn’t improve your ability enough so you
could have a better body and a better mind, and give yourself more
talent, that kind of thing.
A lot of people when I explain that to them go
“Well what about handicapped people?” Like they are being punished
or blab blah. I think that handicapped people they might be the
highest form of humanity in that they, well let’s say you play Doom
and you turn on the God feature a few times and you’ve got endless
ammo and endless strength. All this kind of stuff. And you played
it and played it and you realize you’re not any good because of it.
It’s fun for about twelve seconds but having everything and being
able to do anything you wanted every second gets old after awhile.
FG: Well you don’t learn anything from it, you
don’t evolve anywhere you just keep pushing through and blowing
things up.
HS Right and that’s when you go…okay screw
this I’m just going to go through the whole thing using the knife.
FG: You’ll be around for a very long time.
HS: Yeah it’s hard but there’s certain
handicapped people, Stephen Hawkin is a good example, of where you
go “I’m going to give myself all these different limitations and see
if I can still live an extraordinary life.” A lot of people with
his circumstance too, its amazing at how much joy they seem to have
a lot of the time. My sister has a handicap so I deal with it
everyday.
FG: But they handle it. They smile, they just
do.
HS: Yeah I think it’s because they recognize
all the extras that we gave ourselves didn’t necessarily make us
happier. Not that they have to be counterproductive, but a lot of
people will think that will solve it but it won’t.
And since it’s just about expanding your
energy, its like wow…I didn’t dump all of my energy into making the
perfect body but what I did was allow my soul to experience more.
The touch of a person or the smile from a stranger means so much
more to me. And that’s a valuable lesson to learn.
FG: It’s too bad too many people don’t.
HS: Yeah, but they will eventually.
FG: Yeah it’s going to take some time.
HS: Yeah there’s this chorus in Miracles that
says “You don’t have a choice in learning your lesson, you have a
choice in learning it through joy or through pain” the sooner you
learn it, the happier you’ll be.
FG: Exactly
HS: You fight it, it’s just going to get
tougher, like an assignment you put off.
FG: If you procrastinate you’re going to
suffer more.
HS: Yeah.
FG: That is a great way of looking at it.
HS: The nice thing is it makes me a relatively
nice person. It gives me a lot more patience and respect and that
if anything, if you’ve got to plan that should be what your religion
does for you. It should bring you closer to that.
FG: And I get in a lot of arguments with
people over Christianity because that’s how I see it. You need to
be tolerant and you need to love, that’s basically how I see it.
HS: That’s the whole ironic part of these
fundamentalist side of theocratic dominionist culture which is what
it really is. What modern Christianity states what it represents a
small fraction of the religiously distracted power hungry types.
FG: Yeah, as long as you believe like me
you’ll be fine.
HS: Right because they don’t believe their
thoughts have any value unless other people share it. You can’t be
the only Christian in town.
FG: And that just furthers getting what they
want, and as long as it gets them what they want that’s fine. But
if it goes against their judgment…
HS: Well they’re scared. You know there are a
lot of kids running around dressed as adults. And the problem is
where they’ve moved out of their home, and they are afraid to live
without their parent. So they concoct a giant parent in the sky and
their relationship with their parent is the one they had or the one
they wanted which is usually one that tells you what to do and when
to do it. They antimorphoize the sky and make him dad. And any
variation on that they have to defend because he’s not actually
there to do it himself. It’s like defending what your teddy bear
wants to do for lunch. Little kids will do that, they’ll go “he
hates spaghetti” and get made about it.
FG: You’re right, they are totally afraid.
HS: And there’s a certain level of pity you
can have for that or whatever. I know you’re trying to come up with
a system that makes sense of the world and that kind of thing and
you’re welcome to that. But it stops where you try to limit other
peoples ability to live.
FG: Mine is believe however ever you wish, but
don’t harm or force it on people who don’t want it.
HS: That’s one of the other problems is “go
forth and tell all nations” has been read into you must be an
evangelical Christian or your not a Christian at all. One of the
things you can do with an idea that you not completely believe
yourself is sell it, because other people believing it will give you
fortitude.
FG: It will justify what you are doing.
HS: yeah, you know the funny thing is it
doesn’t dissuade from other Christians who have some deep thought
about it and it really resonates with them. There’s a difference
between that and people who are nuts.
Like there are people who are big fans of Frank
Miller and like his comics and there’s people who think he is
speaking to their brain. There still both lumped into the same
group there not.
FG: Sin City rocked.
HS: It did. The first truly R-rated movie
I’ve seen in a while. Like movies that were R-rated in the 80’s and
70’s.
FG: Yeah exactly like the old school stuff.
Well, I’m sure I have to wrap this up, but I’ve got a couple of geek
questions for you really quick. What piece of memorabilia do you
own that shows true geekness?
HS: Uhm…wow. I have an autographed Weird Al
album. Weird Al in 3-D it says “To Hal Sparks, my only true
friend.”
FG: (laugh) That rules.
HS: Yeah (laugh) And then I have all my
original Kiss dolls and two sets of the playing cards. All of the
albums including the Paul and the Gene albums with the posters still
intact.
FG: I so envy you. Okay last question.
What big Fanboy dream do you have that has not yet been fulfilled?
HS: Hmm…I guess it would be, it’s funny cause
it’s getting harder and harder. I wanna work with Steve Martin and
I would love to play music on stage with Paul Stanley. Uhm and uh…I
guess to date Natalie Portman, does that count?
FG: (laugh) With the shaved head or without?
HS: It doesn’t matter. I would shave her head
for her. I would be her personal head shaver. Yes, that’s my
fanboy dream come true, to be Natalie Portman’s personal head
shaver.
FG: Well than you so much for the time and I
will be sending you that MP3.
HS: Thank you that would be great! Bye bye!
Want to see more about
Hal Sparks? Check out these links:
www.halsparks.com
www.sparksfan.com
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