ve-flash" PLUGINSPAGE="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash">

 

My music story began at the age of five, where I lived next door to my grandmother who played piano and let me play with her antique record player. I would sit upstairs for hours listening to her 78 rpm antique records. Sometimes I would lift the needle and put it back to the beginning over and over, I always loved music and art. At the age of ten, my sixth grade music teacher said I had a good sounding voice. I wanted to play drums or sax so I didn't pursue choir. The school band had a clarinet opening, so I took it, and hated it, but I was able to learn about musical dynamics and theory.


 

About the time of the British Rock Invasion by the early English groups I was watching TV and saw the Dave Clark Five, I grabbed a couple of knitting needles and a magazine and beat the paper to bits.. When my mother came home she saw the mess and said "why don't you take private lessons". So at the age of fifteen I started lessons at a place called Novaks, a private drum school in East Detroit. I started lessons on a practice pad and eventually graduated to a real snare drum. I moved up to a full trap set about nine months later.

 

 

 

Bill Sweeting playing in Viet Nam..somewhere in the Northern Provence

Now the fun is about to start, a band in the area called "The Loose Ends" called Novaks inquiring about drummers that might want to audition. The Loose Ends liked the way I played "Wipe Out" and I was in the band! ‘About a month later the lead singer went out and bought mikes for everyone, he came over to me and put a mike on a make shift stand and said "you are going to sing"….. I heard you singing in the hallway, that was the start of my singing while playing drums and I have had to do it ever since.

The Loose Ends went on to having managers and a recording contract only to be broken up by the Vietnam draft. Our claim to fame was beating the MC5 in a battle of the bands marathon that lasted a whole summer weekend. One hundred bands participated and we came in fourth. The bass player for The Loose Ends family owned a very popular music store in Mount Clemens where I began to hang out. I stayed in the bass players basement to stay close to the action, to pay room and board I would sit in for drummers who wanted a vacation or where ill. This intense learning experience really brought my drumming and singing to a higher level rapidly. It was really great to be a part this very concentrated musical experience.

The Vietnam War took me away from the USA I was stationed at a base camp along the east coast that consisted of several tents, chopper pads etc. this camp was about two and a half miles radius. I drove a five and a half ton truck most of the time. After about two months I heard what sounded like a live band playing off in the distance! I walked for a while and saw a four piece band playing on the bed of a troop transport. There was about two hundred troops standing around listening, drinking beer and pop. I sat down to listen and they where pretty good, doing old Chuck Berry tunes. A friend of mine from California nicknamed "Tostie" showed up and started yelling "hay, my friend here is a great drummer let him sit in"…. Well Tostie was calling my bluff! Because he had never heard me play. To my surprise they said "come on up drummer" the drummer seemed really quiet, he just handed me the sticks, and jumped off the truck and disappeared into the crowd. Well as corny as this sounds, I started playing "Wipe Out" and I was the drummer from then on. The drums belonged to the supply sergeant (doesn't that figure vets?)…. So we played all around the base camps and in Da Nang.

When I got back to the states I was even more hungry to make the "big time" so I went to every dumb audition in the newspapers (1970) I went through two agents and had nothing but bad luck! The studio couldn't help because all the people I knew where gone. Finally I landed a commercial gig with a duo, a Hammond X66 player that lasted about a year. To help me learn this type of music I went down town to some obscure place and took lessons using brushes and commercial theory. About this time some of my former musical buddies started coming back from Nam, they called me and we started a wedding band, it still wasn't what I wanted and THEN………

In 1974 I auditioned for this guitar band that did classic rock tunes that only keyboard groups dared to do! Lee Phillips (lead guitar) played so tightly with the rhythm guitarist (Bill Anderson) and the bass player (Jim Dominick) put down such a tight bottom that it sounded like a large group! Jim, the bass player had a real knack for picking very cool tunes (and still does) anyway they liked the way I played and I was on to another experience! We stayed together for about ten years and had to break up for personal reasons.

About two years ago Lee called me and wanted to put the group back together. In the meantime Bill Anderson had passed away and we wanted to add a keyboard player and a lead singer .to the group. Well all this clicked by adding April and Kurt and we now have a group that has a wider coverage of material and really can do about anything there is to do!

Musical Influences:

All music really, but especially English Invasion and drummers that use triplet patterns: Keith Moon, Ginger Backer.

Instruments.

That great Gretch sound for thirty years and now a eight piece Pearl set with twelve cymbals

 

This site utilizes RealAudio and RealVideo.  To get it, click here




Click here to download Macromedia's Flash plug-in.

 

 

 | HOME | EQUIPMENT | EQUIPMENT CONNECTION | SONG LIST | CONTACT US 
| LEE PHILLIPS | JIM DOMINIAK | BILL SWEETING | KURT HENRY |

Copyright "2002"